Zum Inhalt springen
Deluxe Trips Egypt

c. 1500 BC · They built to be hidden

Ramesseum

Der Tempel und Kornspeicher Ramses’ II., wo der gestürzte Koloss des Ozymandias liegt.

Ort
Luxor
Öffnungszeiten
06:00-17:00Laut . Vor dem Besuch erneut prüfen.
Eintrittskarte
EGP 220 ausländische ErwachseneMinisteriumspreis, abgerufen am .
Osiride pillars of Ramesses II at the Ramesseum, with the broken granite colossus lying beside them.

Seine Rolle in der Geschichte

They built to be hidden

At Thebes, royal burial chambers were cut into the hills, separate from the temples where kings were commemorated. Enter the valley to see how the story moved underground.

Kapitel lesen
  1. Early Dynastic, c. 3000–2686 BC
  2. Old Kingdom, c. 2686–2160 BC
  3. First Intermediate, c. 2160–2055 BC
  4. Middle Kingdom, c. 2055–1650 BC
  5. Second Intermediate, c. 1650–1550 BC
  6. New Kingdom, c. 1550–1069 BC
  7. Third Intermediate, 1069–664 BC
  8. Late Period, 664–332 BC
  9. Ptolemaic, 332–30 BC
  10. Roman, 30 BC–AD 395
  1. c. 2600 BC: They built to be seen, chapter 1
  2. c. 1500 BC: They built to be hidden, chapter 2
  3. c. 1264 BC: Power carved into a cliff, chapter 3
  4. c. 200 BC: They built to remember, chapter 4
c. 1500 BC, in the New Kingdom period (c. 1550–1069 BC). Periods follow The Oxford History of Ancient Egypt (ed. Ian Shaw, 2000); early dates are approximate.

Was das Museum bietet

The Ramesseum is the mortuary temple of Ramesses II (c. 1279–1213 BC) on Luxor's West Bank, built of sandstone and carved with his battle against the Hittites at Kadesh. Its ancient name was "Ramesses United with Thebes". Toby Wilkinson calls it the most ambitious monument of its kind since the reign of Amenhotep III, covering more than eleven and a half acres, with every surface given over to the king.

Its fallen colossus is the "Ozymandias" of Shelley's poem, and the storerooms around it held a significant part of Egypt's wealth, in grain.

The question to carry inside: what was a temple like this for, when its king was buried elsewhere, in the Valley of the Kings?

History

Two architect-foremen, Penre of Coptos and Amenemone of Abydos, built it for the king. It was planned as two temples and a palace, with many administrative buildings around them. Champollion, who visited in 1829, gave it the name it still has.

The colossus that stood by its second gateway was, in Richard Wilkinson's words, the largest free-standing statue in Egypt: more than 20 m high and over 1,000 tons, with one ear just over a metre long, cut as a single block from the quarries of Aswan some 400 km to the south. An earthquake brought it down in antiquity. Its shattered remains, carved with the throne name Usermaatra, corrupted in Greek to Ozymandias, inspired Shelley's poem. Wilkinson adds that the cold and mocking king of the poem is the poet's own invention: votive stelae show ordinary people adoring such colossi as gods "who listen to prayers".

The temple was also an economy. Storerooms and granaries surrounded it on all sides. Barry Kemp calculates the granaries' capacity at 226,328 sacks of grain, enough to feed about 3,400 families for a year, the population of a fair-sized ancient city. Toby Wilkinson calls the Ramesseum Upper Egypt's reserve bank. Under Ramesses III, when the rations of the royal tomb-builders were late and they went on strike, it was officials sent from the Ramesseum who had to hear their complaints.

Its life as a temple was short. By the Twenty-second Dynasty it was already in use as a cemetery; from the Twenty-ninth its walls and pillars were dismantled for building elsewhere; and later its core was turned into a church, when many of the reliefs were hammered. For the consul Henry Salt, Giovanni Belzoni moved a colossal head of Ramesses II from the temple to the river in two weeks, for shipment to London.

A joint Egyptian–French mission is still working here. The Ministry reports that it has found a "House of Life", a school attached to the temple, with traces of drawings and school games: the first evidence of a school within the Ramesseum. It has also found cellars for olive oil, honey, fats and wine, and tombs of the Third Intermediate Period.

What you actually see

Walk into the second court. On one side stand the Osiride pillars, the king in the form of Osiris; beside them lie the broken pieces of the colossus, as in the photograph. The Battle of Kadesh is carved again on the surviving northern wall of the court, with scenes from the festival of Min. Then look outward, at the long brick vaults around the stone temple: those are the storerooms that made it a bank.

Practical

The Ministry of Tourism and Antiquities lists the Ramesseum as open from 06:00 to 17:00. The foreign adult ticket is EGP 220 and the student ticket EGP 110, read on 17 October 2026. In our judgement it fits well between the Colossi of Memnon and Medinet Habu, the temple Ramesses III modelled on it.

Eintritt und Öffnungszeiten

Eintritt für ausländische Erwachsene
EGP 220. Studierende zahlen die Hälfte.
Öffnungszeiten
06:00–17:00, laut .
Quelle
der Seite des Ministeriums für Tourismus und Altertümer zu the Ramesseum, abgerufen am . Preise können sich ändern; maßgeblich ist die Ministeriumsseite. Alle Stätten in einer Tabelle: Eintrittspreise und Öffnungszeiten ägyptischer Stätten.

Eintritt, Öffnungszeiten und Planungstipps

Eintrittskarten für das Tal der Könige
Offizielle Preise, empfehlenswerte Gräber und die beste Besuchszeit.
Eintrittskarten und Öffnungszeiten der Stätten
15 bedeutende Stätten in einer datierten Tabelle.
Von Kairo nach Luxor
Flug, Schlafwagen, Tageszug oder Straße mit Zeiten und Preisen.
Von Luxor nach Assuan
Kreuzfahrt, Zug oder Straße über Edfu und Kom Ombo im Vergleich.

Besuchen mit

Erleben Sie Ramesseum vor Ort mit einer Führung.

Planen Sie Ihre Reise mit Ramesseum; wir stimmen den Besuch auf Ihre Reisetage ab.
Bildnachweise (9)

Marc Ryckaert, CC BY 3.0; Diego Delso, CC BY-SA 4.0; Djehouty, CC BY-SA 4.0; Marc Ryckaert (MJJR), CC BY 3.0; Diego Delso, CC BY-SA 4.0; Zezinho68, CC BY-SA 4.0; Djehouty, CC BY-SA 4.0; Merlin UK, CC BY-SA 3.0; Hamerani, CC BY-SA 4.0. Für die Anzeige verkleinert und zugeschnitten.